Magical realism in Indian English literature is a powerful storytelling technique that blends reality with elements of fantasy, myth, and folklore. It allows authors to portray the complexities of Indian history, culture, and identity while addressing deep-rooted social and political issues. By merging myth and modernity, magical realism serves as a bridge between traditional narratives and contemporary concerns. Indian authors such as Salman Rushdie, Amitav Ghosh, Arundhati Roy, and Chitra Banerjee Divakaruni have used this technique to depict historical events, social hierarchies, and personal struggles in an imaginative and thought-provoking manner. Their works present supernatural occurrences as part of everyday life, allowing readers to engage with reality in a more layered and symbolic way. Novels like Midnight's Children, The Calcutta Chromosome, and The God of Small Things showcase how magical realism creates a hybrid literary space that reflects the diversity and contradictions of Indian society. Through the seamless integration of magical and real elements, these narratives explore themes of cultural hybridity, historical trauma, caste discrimination, gender roles, and the impact of globalization. The use of magical realism in Indian English literature is not just a stylistic choice but a means of preserving India's rich storytelling traditions while engaging with contemporary realities. By incorporating elements of folklore, spirituality, and mythical symbolism, writers create immersive stories that resonate with both Indian and global audiences. This paper argues that magical realism remains an essential literary device that allows Indian authors to navigate and reinterpret their nation's history, cultural diversity, and modern transformation. The study further highlights how this genre continues to evolve, influencing new generations of writers who seek to blend the mystical with the mundane to craft compelling narratives about India's past, present, and future.
Government Degree College, Rajgir, Nalanda
